Simon CroftsDesign and Art Direction
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B/W manifesto
12/24

Articles

In the world of branding and graphic design, black and white is often dismissed as a fallback—a neutral palette for when you want to play it safe. Nothing could be further from the truth. Monochrome is incendiary. It’s the anti-color, the conscious rejection of visual clutter and neon overload. Look at Celine, Off-White, Maison Margiela, and Byredo: their black-and-white identities aren’t just ‘timeless,’ they’re defiant statements of power, clarity, and an avant-garde refusal to conform.

In design, tension is everything—and black and white thrive on tension. They’re polar opposites caught in a perpetual push and pull, creating the kind of visual friction that energizes a brand. Off-White: Virgil Abloh turned diagonal stripes, industrial text, and quotation marks into tools of chaos, challenging norms at every turn. These aren’t decorative flourishes; they’re ideological declarations that speak to a raw, urban, and intellectual vibe. Byredo: In beauty, Byredo’s stripped-down aesthetic underscores deconstruction. Every label, box, and type choice exudes modern luxury by subtracting rather than adding. For consumers, it’s a stark revelation: sometimes more is actually less.

Beauty marketing traditionally brims with pastel illusions and tropes of perfection. Black and white dares to unravel that narrative. Fenty Beauty: Not a strictly monochrome brand, but its black-and-white type stands out in a sea of clichés, redefining inclusivity as something fierce and edgy rather than sweet and sanitised. Off-White Paperwork: Tubes and palettes become industrial design objects, catalysts for self-expression. Here, black and white packaging isn’t minimal for minimal’s sake—it’s a rebellion against the ornate, provoking us to see makeup as art supplies rather than decorative baubles.

This approach reframes beauty products from cosmetic afterthoughts to cultural artifacts—tools of personal storytelling and style statements.

Dismantling conventions in branding

Yes, black and white can be elegant, but it can also be incendiary. It challenges the assumption that bold color is always necessary to cut through the noise. For Off-White, Byredo, and Rick Owens, monochrome is a creative disruptor—an unmistakable brand language that slices through the visual chaos with unapologetic clarity.

The future of monochrome

As our feeds overflow with relentless color, black and white provides a stark antidote. It’s not a step backward; it’s a strategic refusal to participate in ‘color warfare.’ Yet its longevity hinges on continuous reinvention.

Thoughts

In an overstimulated world, reductive design commands attention. Monochrome focuses on the essentials—shapes, typography, negative space—asking us to look deeper. That kind of disciplined, precision-driven design isn’t safe at all; it’s revolutionary, a subversive stance in a market that never stops shouting.